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Because it’s been 4 years since its release but even today I still get reactions and congratulatory messages for it.” No one can predict the box office fortune of a film, but I believe ‘Haseena Parkar’ is a very good film. Talking about the performance of the film, he said, “Grateful for making me a part of the film. Thanks to the audience as well, for all the love and appreciation for Ibrahim’s role in the film.” While talking to the media, he said, “It was difficult for me to play the role of Ibrahim.” I gave auditions, really I worked hard for this role and I am grateful to the director of the film for the faith he had in me. The film was released in 2017 and was directed by Apoorva Lakhia. Ankur has posted the film’s scene on social media in the celebration of the film. The actor says that Shraddha has a very good sense of humour. The film’s release has completed 4 years, while reminiscing those memories, Ankur talked about the things related to the shoot. The crime drama fails to offer an insight into Haseena’s life whatsoever as an individual, beyond her infamous identity as Dawood’s sister, who dropped her bhai’s name to settle property disputes, extort money from builders etc.Shraddha Kapoor and Siddhant Kapoor starrer crime flick ‘Haseena Parkar’ may not have rocked the box office, but actor Ankur Bhatia, who played Haseena’s husband Ibrahim, was in the news. While the intention is still subjective as it’s a filmmaker’s interpretation of a character, the film’s biggest drawback is its lack of depth. But all you get is a silly costume drama that inadvertently victimises and thus justifies Haseena’s unlawful actions and warped sense of power under the pretext of ‘protecting her family’. You walk into the film, hoping to understand the controversial journey of a woman, who became the aapa (elder sister) or the Godmother of Nagpada. The judge examining Haseena Parkar’s case, comes across as a nincompoop. Siddhant Kapoor (badly dubbed) as Dawood, roams around aimlessly in Dubai, goes on candlelight dinners with random girls and chills in his bathtub as Mumbai burns (1993). The treatment, jarring background score and setting, is equally sloppy as Dongri, Nagpada, Dubai, Mulund, Bhandup…all look the same.
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But let us clarify, Shraddha is not the weakest link here. The actress is ‘lucky’ to be getting biopics (she will essay the role of badminton ace Saina Nehwal next), given her limited acting skills. However, given Apoorva Lakhia’s poor direction and penchant for making films on Mumbai’s underworld dons that ride on sensation over substance, all you get is a tanned Shraddha Kapoor who looks like she’s holding two kachoris in her mouth. While the siblings are obviously no saints, do they somewhere bear the brunt of belonging to the D family? This disappointingly shallow biopic tries to decipher this debatable thought. Incidentally, the recent arrest of Dawood’s brother Iqbal Kaskar (‘while he was having biryani’), from his Mumbai residence on charges of extortion, made one wonder why the bigger fish continues to roam scot free. Haseena Parkar Review: As the film shuttles between past and present, it passionately lists down the gang wars and events that led to Dawood’s rise as a crime lord-terrorist and its repercussions on his family, including his sister Haseena, who was summoned to the Court only once (2007), despite the many offences registered against her. Haseena Parkar Story: This courtroom drama tries to decode the life and criminal activities of India’s most wanted fugitive – Dawood Ibrahim’s late sister Haseena Parkar, who allegedly headed her brother’s crime syndicate in Mumbai and ran proxy business for him.